Tim Mitchell Artist Representative
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Tim Mitchell Artist Representative is a commercial photography and post-production agency representi
đź’ĄCOWBOYS UNBOUNDđź’Ą - new CGI motion work from
05/27/2026
Fragments by 🌸🌷🌼
This tiny composition (almost 1:1 scale on your phone) is made with petals and small pieces of plants and flowers, decontextualized until they almost become abstractions.
Paloma’s work often looks digitally manipulated, but most of it is shot in camera, made entirely by hand.
“At this scale, arranging them felt less like building an image and more like playing with shape, color and texture through light — almost like drawing, but using real organic materials laid flat.
This idea of having no limits with AI is not, for me, the best way to work. You don’t necessarily become more creative just because you have more possibilities. I think you often reach more interesting places when there are restrictions.” —Paloma Rincón, Photographer
Swipe to see crops where even more magic is revealed, somewhere between nature studies, illustration, and microscopic landscapes ✨
12 covers. One issue. Photographed by for
“There was some suggestion that this moving image was created using AI. I can assure you, I hate AI almost as much as I hate VAR.
The footage was actually created by locking off the camera and shooting bursts of action at 30 frames per second, resulting in around 210 RAW stills with far greater resolution and latitude than traditional motion. Each still was then graded using photographic techniques and assembled back into a 30fps timeline. The result is a moving image that almost perfectly matches the stills.
Someone suggested this was a lot of work to create something AI could do. But when you make something authentically and practically, it stops feeling like work and starts becoming fun. That’s what being creative is really about — experimenting, pushing ideas, and enjoying the process of making something new.” —Robert Wilson, Photographer
05/11/2026
Malala Yousafzai photographed by  for
Photographer:Â
HMU:Â
43 presidents, somewhere in Virginia. Captured by
Built for a roadside attraction. Closed after six years. Ordered destroyed.
The man hired to demolish them couldn’t do it — so he moved them instead. Hauling 20-foot concrete presidents down rural Virginia roads to a forgotten field, where they now sit cracked open, stained by rain, and slowly disappearing into the weeds.
Washington with a hole in his head. Jefferson staring through a fractured eye.
Not destroyed. Not exactly saved.
Graphic interference: at
Motion:
04/30/2026
JUMP — a new personal portrait series by Photographer , featuring
Driven by a lifelong passion for horses and racing, Charlie shifts his focus to the athletes behind the ride, capturing the character and personalities of the jockeys themselves.
04/27/2026
New personal work from
The more technology advances, the more replaceable we seem. Yet the human element remains the whole point.
04/14/2026
Spring has sprung! 🌷🌸
“My Garden” is a personal project by Photographer Paloma Rincon, created using natural elements collected from her surroundings and around her home over the past 2.5 years. Shaped by observation, time, and hands-on making, the series combines ultra-high-resolution stills and animations, revealing each composition from silhouette to final form.
03/11/2026
New work by for Aviva Investors✨
Working with their in-house creative team, Nicky captured campaign stills to accompany Aviva’s latest TVC.
📋 The brief: show “investments in a new light”
📸 The result: atmospheric, golden-lit scenes of customers using the Aviva app, where light spills from their screens and time stands still.
03/06/2026
New print and TVC campaign shot by for  withÂ
Swipe to see the BTS and images out in the wild!
Production:
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Marblehead, MA
01945
