KristenRay

Had such a blast stepping in front of the lens for Kate Hailey’s photo lighting class during the Glazer’s photo walk! 📸✨ It’s always an incredible experience collaborating with talented creatives and watching the lighting magic happen. Honestly, between being the talent and trying to capture my own BTS, I think it’s officially time to hire a content assistant for when I’m working! 😅 Who else struggles with juggling the shoot AND the behind-the-scenes?

Snip snip
I impulsively cut my bangs

Stop absorbing other people’s chaos. 🛑
We’ve all heard “a lack of planning on your part doesn’t constitute an emergency on mine.” But let’s swap “emergency” for “complacency.” Here is what happens when you refuse to let someone else’s disorganization lower your standards:
💼 In Your Work Life:
Constantly fixing last-minute scrambles isn’t just exhausting—it’s complacency. It silently agrees that poor time management is acceptable. Protect your bandwidth, enforce your operational boundaries, and show that your expertise requires structured respect.
⏱️ In Your Personal Life:
Your personal time is a non-renewable resource. You are not obligated to drop everything or sacrifice your peace of mind to accommodate someone else’s flakiness. Reject the guilt trip and honor the commitments you make to yourself.
You can be empathetic and professional without being a dumping ground for a lack of foresight. Hold your standard. ✨

Achievement unlocked.

Scene 1: The video begins with an upward-angled shot, looking through a large circular window or architectural cutout. A man with long dreadlocks, wearing a blue shirt, dark jacket, and dark pants, is seen running up a set of outdoor concrete stairs with blue metal railings.
On-screen text: “We now interrupt your doom scrolling to bring you...”
Scene 2: The video cuts to a bright, stylized portrait shot of the same man. He is leaning comfortably against the blue railing, smiling gently, and looking thoughtfully off into the distance.
On-screen text: “✨ THIS ✨”
Scene 3: The scene changes to a wider shot of the man standing by the railing. In the background is a harbor with large industrial shipping cranes under an overcast sky. He points a yellow aerosol can directly at the camera and sprays a fine mist over the lens.
Scene 4: The mist immediately clears, revealing the man smiling warmly and looking directly at the camera. He is holding the yellow can in his right hand and a pair of sunglasses in his left.

Truth bombs. Offering advice if anyone wants it.

Be good to yourself.